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FROM MERE MEHBOOB TO FEVICOL

Bollywood’s amazing lyrics story down the decades - Monojit Lahiri lays it on the line.

Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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Remembering Hollywood’s Cleopatra!

A Timeless Movie Queen, Ageless Screen Legend, Matchless Star, writes Monojit Lahiri, on Elizabeth Taylor’s 88th Birth A...

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Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Abandoned

Bollywood’s shelved extravaganzas! Film historian Dhruv Somani zooms in on eight big Bollywood movies, which on facing hiccups, couldn&rs...

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Woman of Song: Usha Khanna

Dhruv Somani makes a case to revisit Usha Khanna, one of Bollywood’s few and certainly the most prolific and popular women composers.

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Oscars Announced A New Award Category And The Internet Is Not Happy About It

The Dark Knight is a phenomenal film and will always remain my favourite. Released in Januar...

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World Report 2018: A Call to Action more essential than A Cry of Despair

The Human Rights Watch publishes an annual World Report in which the human rights records of more than ninety c...

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Salman Khurshid’s ‘Triple Talaq: Examining Faith’ - A straightforward yet comprehensive view of a complicated issue?

I’m here and writing about Former Minister of External Affairs and Indian National Congress party leader,...

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